Danny Boyle’s extremely anticipated sequel, 28 Years Later, is ready to make waves not just for persevering with the story of 28 Days Later however for pioneering new filmmaking strategies. In line with a report from Wired, the upcoming blockbuster might turn into the primary main movie shot solely on an iPhone.
Unnamed sources related to the undertaking reveal that Boyle has opted to make use of specifically tailored iPhone 15 Professional Maxes because the principal cameras for the shoot. This groundbreaking method would place 28 Years Later on the forefront of smartphone filmmaking.
Cillian Murphy, who starred within the authentic movie, is ready to reprise his function as Jim within the sequel. The choice to shoot on iPhones marks a daring step ahead within the business, doubtlessly opening the door for extra widespread use of cellular units in blockbuster filmmaking.
Moreover, sure scenes are reportedly being filmed utilizing motion cameras strapped to livestock, including to the distinctive nature of the manufacturing.
Although 28 Days Later director Boyle and cinematographer Anthony Dod Mantle are not any strangers to innovation, this iPhone experiment continues their legacy of breaking new floor in cinema.
The unique 2002 movie was one of many first main films to make the most of digital cameras, with its iconic opening sequence of a abandoned London being shot with camcorders to permit for fast setups in a busy metropolis.
Lately, smartphones have been used more and more in impartial and documentary filmmaking.
Sean Baker’s Tangerine, shot on an iPhone, grew to become an indicator of this development, and the Oscar-winning documentary Trying to find Sugar Man additionally employed iPhones for sure scenes. If profitable, 28 Years Later might additional legitimize the usage of smartphone cameras in main studio productions.
As of now, representatives for Columbia Footage haven’t commented on the studies, however the buzz surrounding the movie’s revolutionary strategies continues to develop. With Boyle’s status for pushing cinematic boundaries, audiences are desperate to see how 28 Years Later will redefine visible storytelling.
